Article Summary I wrote for a class.
In the
2011 Burlesque Bible Vol. 1 article
“Embracing the Taboo” Kirsty Lucinda Allen writes about the history and nature
of Burlesque. Burlesque, by its nature, is tricky to define. Misinformation
abounds. There are few reliable
historical sources about the performers and their acts. What there is; is
usually biased, fictional, or simply doesn’t make sense to us; relying on
in-jokes and social conventions we no longer have.
To
understand burlesque it helps to know that the word means literally ‘in the
style of a joke’. To burlesque is to ‘make mockery of, exaggerate, satirize’.
Burlesque has been around for centuries and in many different forms such as
poetry, prose, musical theater, and now as performance art and striptease. Some
examples of literary burlesques include Aristophanes, Chaucer, Dickens, and
Mark Twain. Many burlesquers through
their performances challenge social norms and standards of acceptability in a
playful manner. Their acts will often focus on gender, social class, political
and moral issues with larger-than-life flamboyant displays of femininity and/or
masculinity, use of spectacle, censure, and parody. The genre has been subject
to many interpretations over time and is constantly changing. Burlesque is both
low-brow, literate, looks to both the future and the past, is profound and
profane, bizarre and seductive. Allen writes “It (burlesque) holds a mirror to
the face of the masses so that society might be observed from a new
perspective-often where the truth hurts.” By being the risk-takers and pushing
the limits of accepted behavior burlesquers influence pop culture and set
trends. It has influenced fashion from women wearing pants to the retro pin-up
girls of today.
Burlesque
in the 18th and 19th century took the form of musical
comedies where women played the leading(male) parts. The goal was to get
laughs, burst illusions, and show off legs that weren’t usually seen in public.
This era was also a time of women starting to take control of their financial
and political lives. This scared people and entertainers would become the
scapegoat. In the 20th century striptease would become part of
burlesque and it started moving from female to male drag into female to female
drag. Burlesquers were parodying their own sex.
Theater managers used the appetite for scandal and sex to sell tickets.
New also to the 20th century was the celebrity of the burlesquers.
They were lauded and reviled in turn by the public who couldn’t get enough of
them. Until recently entertainers, esp.
women, were considered to be little better than prostitutes and thieves; the
new found fame gave burlesquers more opportunities to make better money or just
marry well.
Burlesque
has been routinely banned and regulated throughout the recent centuries. As the
nudity aspect increased; so did the outcries of indecency and exploitation that
continue to this day. Burlesque is often thought to be just high class
stripping and sometimes, it is. It’s important to not romanticize the
burlesquers of old. Many of them burlesqued because that was the only way to
make a living, let alone a decent one.
If you
really want to know what burlesque is, go take in a show. “Burlesque is an
ongoing reaction, in action.”
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