Showing posts with label women's status. Show all posts
Showing posts with label women's status. Show all posts

Wednesday, June 5, 2013

"An Old-Fashioned Girl" and Charlie

"An Old-Fashioned Girl" by Louisa May Alcott
Country cousin Polly, the old-fashioned girl of the title, goes to visit rich Fanny and family in the big city for a couple of months. There she has many different experiences. Some she likes and some she doesn't. that's the first half of the book. The second half takes place six years after. Polly is working in the city giving music lessons, meanwhile Fanny's family suffers a reversal in fortune. Polly helps them out.

The book has a lot more going for it then that. If you like "Little Women" you will like this. It's full of descriptions of the fashions and manners of that bygone age. I find it amusing that the same things that a lot of people criticize now, such as children dressing and acting too grown-up, unwholesome entertainment and use of stimulants, alcohol, gambling, spending money they don't have, being indolent, not caring, are the same things that the author is criticizing in her novel.  There is also discussion in the book about a women's role in the world especially when she is single, being and staying happy and useful, and a women's influence.

Continuing on with introducing my boys:
Here's a picture of my Charlie, the $5000 dollar cat. If you want to know the story, it's in my first entry to this blog. Sorry, I can't seem to put a link in correctly yet.

Charlie is a sensitive soul and is often whinny. I sometimes joke that he is saying 'I'm a middle-aged eunuch and will whine if I want too". The vet told me that orange and white cats are similar to natural red heads in that there is no pain tolerance.

Charlie my boy, oh Charlie my boy!
 
 
These two cool cats are Ruby Tuesday and Hotrod, Charlie's litter mates who live with Auntie Theresa.

Thursday, March 15, 2012

What is Burlesque?


 Article Summary I wrote for a class.

In the 2011 Burlesque Bible Vol. 1 article “Embracing the Taboo” Kirsty Lucinda Allen writes about the history and nature of Burlesque. Burlesque, by its nature, is tricky to define. Misinformation abounds.  There are few reliable historical sources about the performers and their acts. What there is; is usually biased, fictional, or simply doesn’t make sense to us; relying on in-jokes and social conventions we no longer have.

To understand burlesque it helps to know that the word means literally ‘in the style of a joke’. To burlesque is to ‘make mockery of, exaggerate, satirize’. Burlesque has been around for centuries and in many different forms such as poetry, prose, musical theater, and now as performance art and striptease. Some examples of literary burlesques include Aristophanes, Chaucer, Dickens, and Mark Twain.  Many burlesquers through their performances challenge social norms and standards of acceptability in a playful manner. Their acts will often focus on gender, social class, political and moral issues with larger-than-life flamboyant displays of femininity and/or masculinity, use of spectacle, censure, and parody. The genre has been subject to many interpretations over time and is constantly changing. Burlesque is both low-brow, literate, looks to both the future and the past, is profound and profane, bizarre and seductive. Allen writes “It (burlesque) holds a mirror to the face of the masses so that society might be observed from a new perspective-often where the truth hurts.” By being the risk-takers and pushing the limits of accepted behavior burlesquers influence pop culture and set trends. It has influenced fashion from women wearing pants to the retro pin-up girls of today.

Burlesque in the 18th and 19th century took the form of musical comedies where women played the leading(male) parts. The goal was to get laughs, burst illusions, and show off legs that weren’t usually seen in public. This era was also a time of women starting to take control of their financial and political lives. This scared people and entertainers would become the scapegoat. In the 20th century striptease would become part of burlesque and it started moving from female to male drag into female to female drag. Burlesquers were parodying their own sex.  Theater managers used the appetite for scandal and sex to sell tickets. New also to the 20th century was the celebrity of the burlesquers. They were lauded and reviled in turn by the public who couldn’t get enough of them.  Until recently entertainers, esp. women, were considered to be little better than prostitutes and thieves; the new found fame gave burlesquers more opportunities to make better money or just marry well.

Burlesque has been routinely banned and regulated throughout the recent centuries. As the nudity aspect increased; so did the outcries of indecency and exploitation that continue to this day. Burlesque is often thought to be just high class stripping and sometimes, it is. It’s important to not romanticize the burlesquers of old. Many of them burlesqued because that was the only way to make a living, let alone a decent one.

If you really want to know what burlesque is, go take in a show. “Burlesque is an ongoing reaction, in action.”